Get a job, Sha na na na, sha na na na na! Get a job, Sha na na na, sha na na na na!

The Silhouettes

IMG_8170I am back home! I love to work on location. Shooting a movie wherever, whenever… it’s always a challenge and a lot of work and I really enjoy that! But, (I think) like everyone else, I also love returning back to my wonderful home.

Having said that, the end of a show means that it’s time to get another job.

As I said in my blog, “Fears are Paper Tigers”, one of the challenges of working in the film industry is the number of times we are laid of in a year… well not really laid off, I guess… each show is a contract, contract ends; job over.

So here I am out looking for the next fabulous, exciting and challenging job!

While I was packing up during the final days of my last show, some of the newer costumers were asking questions, like: How do you find another job? How do you know where to look for what’s happening? Do productions just call and offer you a job? Do you have to keep trying to find the next show yourself? Continue reading

“Fears Are Paper Tigers”

FearsarepapertigersI attended a seminar last weekend with Jessica Sitomer, The Greenlight coach. Yes, I have talked about her before. Her seminars are worth going to and, yes, I will be there again next year so I will probably often be spouting her wisdom. After all… learning lessons from others is my main reason for writing this blog, ne pas?

She talked about the ‘spiral-down’ effect that we can go into when we are out of work. Funnily enough I had been sitting on the grass chatting with some costumers the other day, and one of the things that came up was the set funk that comes at the end of every show. This lead me to thinking about the last day of shooting on my previous show when everybody was getting all misty and saying how great the show was and they were sad it was ending. Continue reading

Work it, baby, work it!


My blogs are often focused on the newer costumer. This one is for all Costumers, new and experienced, that want to keep up-to-date.

As said in a previous blog I started out before cell phones, pagers and computers. When a job came into town I drove over to the production office, well dressed, and handed in an résumé. The paper was carefully thought out to try and make my résumé stand out from the rest. When it was said to go cream I went crisp white, I used a heavier paper… anything that made mine a little different. Now the field has been levelled. All resumes are emailed in and either forwarded or printed on standard printer paper. So how is it that you get an edge? Continue reading