Getting sticky with it…


A little color adds to the fun

I was working on the set of TWO BROTHERS, A GIRL AND A GUN, my first show on my own… yes really, the designer left on the first day and I was officially a department of one… the 1st Assistant Director (1st AD) came to tell me the director wanted a blood bag added to the stab wound we were doing that day… aahhh, whaaat?? The 1st AD gave me some pointers on how to do this and it seemed pretty simple… well, it seemed that way.

First on the list was to find condoms. Since we were shooting in an abandoned farmhouse with no store nearby, I had to beg the crew guys for the condoms they were carrying in their wallets. Awkward! Then, with the crafty girl’s help, I filled the condoms up with dish soap and red food coloring. Presto… the blood bags were ready to go!

We were ready for the scene. I taped the blood filled condom to the actor’s chest… the director yelled action… and our lead actor stabbed away madly. The condom didn’t break… surprising?

What nobody knew is that the condom needed to be weakened… ah important detail. I made a few quick holes and the condom broke on the next take. The blood was overly bubbly, but I was very happy to have that scene over!

Crazy way to start, but what that experience taught me was to never be afraid to ask for help… and always find the courage to try.

“In what ever you’re doing, failure is an option… but fear is not.”

James Cameron, TEDTalks 2012

Dawn Climie Sharing

Over the last ten years I’ve hosted classes for new costumers at IATSE in Vancouver, SMPIA in Saskatchewan and the Costuming program at Capilano University about the artistry of working with film blood.

During the classes I show a collection of video clips that highlight the different ways blood can be used to create emotion and impact in the movies. As we go through the different clips we discuss using blood rigs, blood pumps, bullet hits and the types of blood used with them. We also look at how blood colors can add or detract from a scene and how to manipulate the costume pieces to help create different effects.

But the real fun of the day is just getting sticky and playing with it. We are fortunate to have so many varieties of on-camera bloods available on the market. There are choices of bright, standard and dark colors, and runny, sticky, thick and drying textures. There is also washable blood, edible (yes, edible!) and powdered bloods that we can just add water to… and don’t forget the gels and sprays!

It’s fabulous to be able to do a little trial and error with the different bloods on a variety of fabrics in a relaxed environment… instead of on an outrageously expensive, one-of-a-kind costume with the entire crew looking on waiting to shoot.

This year I asked Kia Porter, a good friend, fellow costumer and photographer to join us for the Cap U class and take photos during the bloody mayhem! She took one of my very first blood classes and it was wonderful to have her there again after a decade of life and costuming. 🙂 Click here to see the photos.

Just checking it all outDrip, drip, drip

Working on so many film sets, some in other countries, I’ve been incredibly lucky to befriend many new costumers and makeup artists. The great thing about this is that they’re often using new or different products to what I have. This doesn’t always mean that the blood they’re using is going to work for me… some of the washable bloods used by the Makeup Department don’t always work with the costumes… but it’s good to try different products and see how they will react with fabrics.

But in reality, even on the biggest shows, you won’t have all the products available to you, so the real challenge is how to take what you have on hand and create what you need!

Carrying a few extra things in your set bag can make a big difference when added to a bottle of bright blood. Including:

• 1 Small tube of toothpaste. (Blue gel is best and no white dots!)

• 1 Small container of MSB (Mrs. Stewarts Bluing, laundry bluing)

• 2 Small water sprayers (one with water, one for mixing blood in)

• 1 Small hard bristle brush for flicking/splattering blood

• 1 Small container of coffee grounds/loose tea

• 1 Small bag cotton ballsWound in a bag

With this one small bag you’re ready to go. One bottle of bright blood; leave it plain or tint it with the Bluing to take it anywhere from a touch darker to alien black! Add some toothpaste to thicken it and throw in some coffee, tea or cotton to gum it up. Wound in a bag!

Wound in a bag

Have fun getting sticky today!!

D.S.T.C. (Don’t Shoot the Costumer)

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12 thoughts on “Getting sticky with it…

  1. I’ve been looking for a blog such as this for a long time, as I’m a costumer who is currently expanding into television from a strong theater background. As much as the basics of sewing and fit are the same no matter the venue, I’ve noticed a strong difference between stage and screen, especially when it comes to detail work – and sfx makeup. This was the most helpful entry I’ve read yet on film blood! As a general note, I stumbled on your blog yesterday and have since read the majority of your posts. They’re incredibly helpful – and you’re definitely serving your purpose when it comes to the incoming costumer demographic. Thank you for giving us an inside look! – Jess

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